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JANE ISAAC: THE DEVIL IS IN THE DETAILS

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Today, I'm excited to introduce fellow mystery writer and guest blogger Jane Isaac. Jane is the author of the psychological thriller, An Unfamiliar Murder . Jane lives in rural Northamptonshire , UK . She studied creative writing, and later specialist fiction with the London School of Journalism. Jane is not only a mystery writer, she is also an avid reader, a mum, a dog lover and a traveler. Recently, she has had two short stories accepted for crime anthologies, so please listen up – she knows what she’s talking about. Here is her fact-filled essay: The Devil is in the Detail No matter what genre you write, every book carries some element of research and, for crime fiction, the weight is a heavy one. There’s not only police procedure, plotlines, areas and events to study, but also people. What’s the secret formula behind the great characters in fiction? Research. Investment into creating and layering our characters gives them the depth to become ‘real’. ...
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3 REASONS TO USE SLANT RHYME IN YOUR POETRY

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S lant rhyme or half rhyme, sometimes called near rhyme or imperfect rhyme are words that come close to rhyming, but they really don’t rhyme. (Said / regret, or find / friend.)             Emily Dickinson is best known for her use of slant rhyme. They are a common characteristic of her poetry as is her unconventional punctuation.              I will admit, my original thoughts about slant rhyme were confining. I was under the impression that Dickinson (and others) used slant rhyming merely to increase the possibilities of word choice. This, in turn, would allow the poet greater flexibility and increase his/her ability to convey meaning.             In searching the internet for thoughts on the advantages of slant rhyme usage I came across a site, www.Chegg.com. In their definition of slant rhyme the author states...
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Rückenfigur - A Powerful Artistic Effect That Puts You in the Painting

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  "Best Friends" by Gerard Bianco Rückenfigur is the German word that translates to Back Figure, or figure from the back. An artist has the option of painting people from the front or from the back, which begs the question: why would an artist paint a person from the back? Is it because he has trouble painting features? Are his noses always too long? Are the eyes in his portraits always pointing in opposite directions? No, not typically. The reason an artist paints a person, or people from behind is to create an atmosphere of wonder, both in the person being painted, and in the person gazing at the painting. Having the viewer think about what is going through the mind of the subject in the painting puts them in direct communication with the subject’s thought process. The viewer suddenly becomes one with the subject in the painting, which causes an impactful psychological effect upon the viewer. No longer are you, the viewer, looking at a typical portrait, thinking that this p...
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