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JANE ISAAC: THE DEVIL IS IN THE DETAILS

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Today, I'm excited to introduce fellow mystery writer and guest blogger Jane Isaac. Jane is the author of the psychological thriller, An Unfamiliar Murder . Jane lives in rural Northamptonshire , UK . She studied creative writing, and later specialist fiction with the London School of Journalism. Jane is not only a mystery writer, she is also an avid reader, a mum, a dog lover and a traveler. Recently, she has had two short stories accepted for crime anthologies, so please listen up – she knows what she’s talking about. Here is her fact-filled essay: The Devil is in the Detail No matter what genre you write, every book carries some element of research and, for crime fiction, the weight is a heavy one. There’s not only police procedure, plotlines, areas and events to study, but also people. What’s the secret formula behind the great characters in fiction? Research. Investment into creating and layering our characters gives them the depth to become ‘real’. ...
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SO, YOU WANT TO BE A WRITER

You want to be a writer, eh? Okay, then; what will you need to do? Here are 12 ways in which you can begin: 1 st   and foremost, a writer must understand his/her own language.   (We’ll go into greater depth on this subject and those that follow in subsequent blog posts.) A writer must understand that writing is more than simply putting two or more words together to create a sentence. A writer must understand that writing is more than simply telling a story. A writer must understand that all words have meaning, and this meaning will reflect differently to different people. A writer must be fascinated with words, and have a passion about length of sentences, metaphor, simile, rhythm and flow, and the aesthetic appearance of how words appear on a page. A writer must understand originality. A writer must be inventive. A writer must be succinct. A writer may not always hit the center of the bullseye, but he must, at the very least, have the ability to hit the targ...
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3 REASONS TO USE SLANT RHYME IN YOUR POETRY

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S lant rhyme or half rhyme, sometimes called near rhyme or imperfect rhyme are words that come close to rhyming, but they really don’t rhyme. (Said / regret, or find / friend.)             Emily Dickinson is best known for her use of slant rhyme. They are a common characteristic of her poetry as is her unconventional punctuation.              I will admit, my original thoughts about slant rhyme were confining. I was under the impression that Dickinson (and others) used slant rhyming merely to increase the possibilities of word choice. This, in turn, would allow the poet greater flexibility and increase his/her ability to convey meaning.             In searching the internet for thoughts on the advantages of slant rhyme usage I came across a site, www.Chegg.com. In their definition of slant rhyme the author states...
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