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3 REASONS TO USE SLANT RHYME IN YOUR POETRY

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S lant rhyme or half rhyme, sometimes called near rhyme or imperfect rhyme are words that come close to rhyming, but they really don’t rhyme. (Said / regret, or find / friend.)             Emily Dickinson is best known for her use of slant rhyme. They are a common characteristic of her poetry as is her unconventional punctuation.              I will admit, my original thoughts about slant rhyme were confining. I was under the impression that Dickinson (and others) used slant rhyming merely to increase the possibilities of word choice. This, in turn, would allow the poet greater flexibility and increase his/her ability to convey meaning.             In searching the internet for thoughts on the advantages of slant rhyme usage I came across a site, www.Chegg.com. In their definition of slant rhyme the author states...
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JANE ISAAC: THE DEVIL IS IN THE DETAILS

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Today, I'm excited to introduce fellow mystery writer and guest blogger Jane Isaac. Jane is the author of the psychological thriller, An Unfamiliar Murder . Jane lives in rural Northamptonshire , UK . She studied creative writing, and later specialist fiction with the London School of Journalism. Jane is not only a mystery writer, she is also an avid reader, a mum, a dog lover and a traveler. Recently, she has had two short stories accepted for crime anthologies, so please listen up – she knows what she’s talking about. Here is her fact-filled essay: The Devil is in the Detail No matter what genre you write, every book carries some element of research and, for crime fiction, the weight is a heavy one. There’s not only police procedure, plotlines, areas and events to study, but also people. What’s the secret formula behind the great characters in fiction? Research. Investment into creating and layering our characters gives them the depth to become ‘real’. ...
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MAKING YOUR OPENING SENTENCES FLOW

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I've spent 6 days on the first two paragraphs of my latest short story. I'm close to getting them the way I want. They're not quite there yet. I want them to flow. I want the reader to slide into the story without realizing he is being taken for a ride. I want him/her to feel as if they are floating with the current on smooth seas, not fighting against it, which means, I want to give the reader as much information as I can, enticing him to continue reading, but not overloading him with too much information. Let me show you what I mean. Here are the first few sentences from my story before editing: One day I came home and found a man lying on my living room rug. Ordinarily, this would have been a delightful surprise, but my discovery was far from normal. The man was dead! Here is the new version: I went for a walk one morning, and when I returned, I found a handsome man stretched out on my living room rug. I’m gay, so ordinarily this would have been a delig...
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