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3 REASONS TO USE SLANT RHYME IN YOUR POETRY

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S lant rhyme or half rhyme, sometimes called near rhyme or imperfect rhyme are words that come close to rhyming, but they really don’t rhyme. (Said / regret, or find / friend.)             Emily Dickinson is best known for her use of slant rhyme. They are a common characteristic of her poetry as is her unconventional punctuation.              I will admit, my original thoughts about slant rhyme were confining. I was under the impression that Dickinson (and others) used slant rhyming merely to increase the possibilities of word choice. This, in turn, would allow the poet greater flexibility and increase his/her ability to convey meaning.             In searching the internet for thoughts on the advantages of slant rhyme usage I came across a site, www.Chegg.com. In their definition of slant rhyme the author states...
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JANE ISAAC: THE DEVIL IS IN THE DETAILS

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Today, I'm excited to introduce fellow mystery writer and guest blogger Jane Isaac. Jane is the author of the psychological thriller, An Unfamiliar Murder . Jane lives in rural Northamptonshire , UK . She studied creative writing, and later specialist fiction with the London School of Journalism. Jane is not only a mystery writer, she is also an avid reader, a mum, a dog lover and a traveler. Recently, she has had two short stories accepted for crime anthologies, so please listen up – she knows what she’s talking about. Here is her fact-filled essay: The Devil is in the Detail No matter what genre you write, every book carries some element of research and, for crime fiction, the weight is a heavy one. There’s not only police procedure, plotlines, areas and events to study, but also people. What’s the secret formula behind the great characters in fiction? Research. Investment into creating and layering our characters gives them the depth to become ‘real’. ...
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Portrait of the Artist, Gerard Bianco — A Combined Effort by Artists, Richard Whitney and Gerard Bianco

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Welcome! I’d like to tell you a little story behind the rather unusual portrait pictured above. Many years ago, I had the privilege of sitting for a painting demonstration by the celebrated portrait artist Richard Whitney . The event was sponsored by the Metropolitan Portrait Society and held at the historic Salmagundi Club in New York City. Because it was a live demonstration, Richard painted only what time allowed—my head and a suggestion of a collar. And while I was honored to be the model, I was left with a portrait that felt… unfinished. It lingered in that state for years. Eventually, I decided to resolve it myself. At first, I sketched in a traditional suit and tie. Respectable, certainly—but uninspired. Then I thought, why not have a little fun? Why not step beyond the ordinary and paint myself in costume? The question became: which costume? The answer arrived unexpectedly. Just last week, while visiting the Metropolitan Museum of Art , I came upon a portrait date...
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