EDITING - UGH!
Yesterday, I deleted nearly 600 words from a
story that I have been working on for the last two weeks. Did it hurt? You bet
it did. But by doing so, it improved the story dramatically.
Don't you wish you could write prose that flowed across the paper like soft butter on warm toast? Dream on. If you’re like me, you're spending more
time editing your stories than almost anything else. Editing is an integral part of the writing process, and it is only through
thoughtful editing that my stories have come alive. Writing a story is like
building a house with a lump of clay. You begin by roughing out the shape you
want. Editing is the modeling process that shapes the clay into the
beautiful finished product you had in mind when you began.
The more experience I gain as a
writer, the more I edit. The more I edit, the more experience I gain as a
writer.
George Lucas, talking about film
editing, gives us an excellent definition on the subject. His words apply to
story editing, as well. He says, “The whole process of editing is a process of
paring the film down and keeping all the relevant material and getting rid of
all the material that doesn’t work for one reason or another.”
How do you edit a story? What do
you leave in? Take out?
There are a slew of books written
on the editing process – each is similar and different, depending upon the technique
offered for the editing solutions. But with all the diversity between each book,
there is one theory that has remained constant ever since man first learned how to hold a
pencil: If you find a word, sentence or
paragraph that does not move the story forward, take it out.
Every word must advance the story
from opening line to concluding sentence. Every device you enter in your story
should have significance in some form or another. Every character must play an
important role and every word your character utters must have meaning.
There are many books that have
failed to maintain interest simply because the author decided to mosey down a
parallel path he found interesting, one that had little or nothing to do with
the original storyline. How many films have done the same?
Keep your eye on your target.
Edit out all that is unnecessary, even the parts that you’ve worked on for hours.
Keep nothing that doesn’t point the reader in the direction you decided he
should go. You may lose many words in the editing process, but you will keep
your readers, and they will keep coming back for more.
Editing is tough and painful, and the worst part is that this process usually takes a lot of time. one has to be persistent through and through. very nice article and insightful. One can create a rough format first of the story like a concise story which sums up important events and then just stick to that for no diversions.
ReplyDeleteHi Fairy,
DeleteI would have replied sooner, however, it is only today that I saw your comment.
You're so right about editing taking a lot of time. I will sometimes go back to a story I wrote months ago and re-edit, wondering why I didn't see what I see now, or why I didn't include . . . etc.
I asked David Baldacci about his editing process. He told me that he stopped editing when he was no longer changing content, only words. Sounds good to me.